Wednesday, June 20, 2018

The Amazing World of Gumball Review: The Intelligence

"Good morrow, sweet imp!"

Somehow, this onslaught of episodes teemed with diversity, and I'm not talking about subject matter: they all had very different strengths, and sometimes, very different weaknesses. Of the episodes that tried to take satirical angles, though—the others being "The Founder" and "The Schooling"—"The Intelligence" found itself struggling with, surprisingly, finding a way not to package its message, but to tell it. It's a peculiar case of the show emphasizing style over substance, and while the end result is no doubt enjoyable, its message is as straightforward as ever.

This certainly isn't the first time that Gumball has toyed with our fascination with technology and how it distorts our reality ("The Stars" is a particularly infamous example), but there's just not much that "The Intelligence" is actually trying to say. A lot of people are calling it surface-level, but it's not even that, in my opinion; it's flat-out the sense that we need technology and would take it over anything else, regardless of if that alternate reality is better or worse. It barely registers to the point where the meaning comes across almost as lukewarm intention in its lack of sophistication. Naturally, it's a bit unfair to criticize a show for going with a generic idea, but for Gumball, a show that takes joy in its merciless incisiveness, "The Intelligence" just falls short.

At the same time, though, it's an episode far from unrealized, laying out a surprisingly distinctive tone. Once the Internet accidentally malfunctions in an attempt to wipe out humanity, Elmore, stripped of technology, reverts into the Dark Ages, and it becomes Gumball and Darwin's mission to find him and bring him back. It's a simple, silly idea, and certainly not one that hasn't been touched on before, but as always, the show pulls it off with admirable charm.

I'd like to especially point out that, even though the townsfolk have gone insanely medieval, they still are who they are, which is a lot of fun to watch: Principal Brown is still a well-intentioned goof, for instance, and the Robinsons explore their antagonistic relationship through a witch-hunt. It's how the show finds ways to humorously deploy its supporting cast that it succeeds the most, especially with Gumball and Darwin shoved into straight-man duties trying to make sense of the world around them.

Special points in that region especially for casting the Senior Citizens as the antagonists. It's such an obvious move to make, but that's because it's just the perfect choice; they are, at this point, people left behind by the rise of technology, and thus the only ones still capable of functioning without it. Their existence, too, is the only part of the episode that really has much punch to it, presenting Brown and his gangling hunting party with the harmonious prospects of the world without the Internet. Immediately once Gumball and Darwin track the Internet, though, it's back to the world as before, and while the overall takeaway is very basic, I at least appreciate the show cynically twisting the knife a bit.

And honestly... that's kind of it. There's just not much to "The Intelligence." It's in a strange bit of, let's say, creative stasis, taking a half-formed idea and decorating it to a marginally satisfying degree. With a weak center, though, the fun is in the details, and it's not quite enough to pull everything across the finish line.

Notes and Quotes:
-"Looks like you guys are having enough fun combining cosplay and concussion without us."
-Jeff was very proud of his ownership of a kitchen towel. I've liked how he's being used in these past few episodes, and if he's not exactly approaching legendary status any time soon, he always contributes some goofy one-liners. I like him.
-Mrs. Jötunheim chanting "Dump the witch!" while inconspicuously hiding her broom was the episode's best little detail.
-"You must take me! I need to know why doctors hate a single mom who discovered one weird trick!"
-Who doesn't love a good Bayeux Tapestry nod? It was both inspired and visually-stunning, even if, symptomatic of the episode, it wasn't communicating much.
-"Any final words?" "YOLO..." "Thanks for making this easier for me."

FINAL GRADE: B-. "The Intelligence" is all in good fun, but it never really finds a grasp on what it's trying to say, and though it finds an exciting way to tell its narrative, it's the lack of a strong backbone that ultimately leaves me with very little to say. It's, simply-put, a likable but entirely dispensable episode that gets the job done but ultimately won't leave much of an impression, and that's alright. This isn't the show running itself dry, by any means, and it still oozes with creativity, but it just doesn't feel worthily channeled.

For the last Gumball review of "The Schooling," CLICK HERE.

See y'all in a month.

9 comments:

  1. This is probably the only episode out of the five thst I can agree could have been better done, but wss still good enough to keep it from being boring. I think this episode would have been better off on seasons two or three or even four. Not so much six. That being said, it's about time they did a Bayeux Tapestry reference (and a better one than what The Simpsons did as a couch gag), Principal Brown and his band of merry men had some good moments, and the last part with everyone folicking in a meadow until the Internet comes back on was great on a cinematic level.

    Anyway, see you in a month, where the episodes you'll be tackling include: Hector trying to change his height (The Potions), a look at some rejected Amazing World of Gumball spinoffs (The Spinoffs), Gumball convincing Penny's parents to break free from their shells (The Transformation), a rehash of "The Boombox" that I have a sick feeling will have an anti-bigotry message to it ("The Understanding"), and a satire on travel hostels and AirBnB ("The Ad"). Still no word on when "The Stink," "The Awareness," and "The Future" will air, but something tells me that if they're airing five episodes a month, then one, two, or all of them has to come on sometime between now and before the year ends, even if it's mixed with other episodes.

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    1. Is there, like, some standard that media has to reference the Bayeux Tapestry that I'm not aware of? Either way, might as well axe it from the reference bank. But yeah: fine episode, could've been better. Oh well.

      I'm definitely excited about the next batch, which is looking to be a bit more daring. Alas, though, this is the midseason, and if we're comparing it to Season 5, the show's handling things pretty well.

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  2. There comes a day where a person has to eat his or her words. Today is that day—I was wrong. This wasn't the masterpiece I was hyping it up to be. It was still a perfectly adequate episode, but there was room to do more with it.

    I think the Dark Ages theme was interesting, and easily could have been integrated into the commentary about our dependence on technology. An interesting direction to take would have been to showcase how technology did not change our core values and that society as a whole has always been rowdy, single-minded, and vitriolic. One scene in particular that demonstrates the potential for this is the one involving the Mrs. Robinson's witch trial. That scene could be elevated further to demonstrate how mob mentality will always be a problem, with or without technology. Likewise, with how irritable and violent the people of the historic Dark Ages were, there is room to draw comparisons to how the internet conducts itself on its worst days. Not only would this direction allow for a little more depth in its message, but it would still retain the fun yet cynical charm the show has nailed down.

    I do admit, a part of me still wishes that they went with the conception I was hyping on the server because that would have been really unique, but this direction is pretty solid and creative. It just needs a little more fleshing out.

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    1. That would be a pretty nice spin on the idea, actually. The thing with the show is that, at its best, it knows how to explore things with a sense of dimension and with some level of specificity from its own voice. The ending suggested that there was some speck of ingenuity behind it all, but in the process, everything just got a bit too dilluted. Maybe the writers chased the premise instead of staying true to the message, or maybe there just wasn't a deep message in the first place. "The Intelligence" just feels like an episode thrown into the mix that's perfectly adequate but that nobody, save for those who have to (Hi), will write home about.

      (Are you trying to suggest things of my own words, Guy?)

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  3. Hi Mattalamode, I am an Italian girl (commenting with my dad's account). I love your reviews both here and on Gumball's wiki. I would like to know if you can give me the link to that Ben Bocquelet's interview about the americanization of the show. It would be really useful for me.
    Thanks a lot,
    FS

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    1. Sadly, that interview was something I heard more about by word of mouth from another person online, and they haven't been able to trace it. From what I've heard, though, it was published in French sometime before Season 5. Good luck. (Tell me if you can track it down!)

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    2. I see. I will let you know. Thanks!

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  4. Hi, you were harsh but fair, the show hasn't been doing its best lately, there's room to improve because while they still can come up with new concepts they fail to develop them properly or convey their messages like in this case.

    I also thought how using the side-characters playing new roles had too much posibilities, that was cool and the episode certanly added a style they haven't used yet but besides that the episode wasn't anything exceptional.

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