
Bobert is an interesting character in that he's stuck in the rut of always having the same joke. He's a robot, so he follows all things as literally as possible with emotional detachment. (When postured with defining love, for instance, he defines it in tennis terms.) Because of that, it seems especially hard to write episodes centered around him as he's entirely static- there's no dynamism to his character, but that only really compliments the design. When the show uses him, most of the originality is in all the things framed around him and the extent to which he doesn't understand human logic.

It starts out simple- when having a conversation with Bobert, they realize the danger of talking to him literally, prompting him to perform such acts as attempt to decapitate Darwin's hand ("Give him a hand", so to speak), and seek to make him safe for the rest of the world's good and, y'know, to get out of homework.

The climax of the episode is when Bobert is given the order of protecting all life on Earth at all costs, be it ants or viruses, which spirals into him realizing the true danger on Earth- humanity and its damage to the environment, and as dumb or preachy as a premise as it sounds, the show uses that more as a launchpad to justify Bobert's insane acts. Most notably, he gets rid of electricity, making credit cards become nothing and lead to the complete collapse of the economy and society. Gumall goes to call the police only to find Bobert as the mastermind of the operation and they go off to take him down. They approach him, causing him to count down the termination of mankind, but ultimately they use his own words against him to get him to stop- he calls mankind a "virus" but says earlier he would protect "viruses", so the result is nullified.

Takeaway:
-"Homework is like going to the bathroom and then coming out with a doggy bag."
-"People say your schooldays are the best years of your life. That's like a guy stuck in a sausage grinder saying it's okay when it was only his fingers caught in the machine." "What are you talking about?" "Sometimes I wish I could just... go straight to the end of the process." "What, like go in full sausage?" "No, just be an adult already."
-The joke where Bobert headbutts Gumball a year into the past (into a scene from "The Spoiler") was the show's fourth wall-breaking at its best, and I'm surprised they hadn't come up with that before. I especially appreaciate future Gumball's casual air while past Gumball and Darwin stand awkwardly, not sure what to make of the situation.-When Darwin is choking on food, Gumball tells Bobert to solve the issue in any way possible- prompting him to turn his arm into an air valve and blow into his rear to make it pop out. You can't blame the show for not trying new things, okay?
-As lame as the fight over how to pronounce "quinoa" is, I think it brings up something wort addressing: the writers do an admirable job of giving characterization to every background character that talks by showing some inflection of their personality, which I appreciate. It helps make the show feel more like a world where every person has their own life- they don't just exist exclusively in the background while the main characters do their thing, an issue with a lot of other shows across all genres. So kudos to you.
Final Grade: B+. While I may have bashed on the episode a fair amount, that doesn't mean it's a bad episode. In the grand scheme of things, this episode is particularly strong and one of Bobert's best outings, and it makes strong use of Gumball's more traditional narrative style without going too big. It's simple, it's smart, and it gets the job done.
For the last Gumball review on The Slide, CLICK HERE.
Mr. Small and Larry aren’t background characters
ReplyDeleteThey are here by the very definition in existing in the background of the episode.
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