Based around the incredibly popular Japanese cultural figure of Rilakkuma, a cuddly, dango-obsessed bear with a rather inconspicuous zipper on his back, R+K (his first television series) drags in other characters attached to his franchise, including pet bird Kiiroitori, bear cub Korilakkuma, and most importantly, Kaoru, a woman who discovers Rilakkuma in her house one day. (A new character, a young boy named Tokio, also makes occasional appearances.) While Rilakkuma is at the forefront of the show's advertising, and often wrings out the series' finer comedic moments (however subdued), Kaoru is the show's greatest asset, becoming more often than not the heart of the show.

Whereas the fact that she lives with two massive, costumed bears gives the series a cartoonish edge, she's a grounded character who embodies complete sincerity and authenticity in her listlessness, perhaps no surprise considering the show was written by Naoko Ogigami, a filmmaker known for work about emotional healing, which is squarely what Rilakkuma and friends provide in their own endearingly silly ways.

Even so, R+K is at its best when it truly embraces much simpler, inelegant storytelling, finding ways to slowly develop Kaoru and allow her to grow in subtle yet, in the context of her character, profound ways, whether it's deciding to buy a new umbrella or hearing that her boss at work considers her handwriting invaluable. It's an incredibly difficult show to really define, but it's sweet without ever feeling saccharine, and each story feels vividly organic, even when crazy things happen. R+K's never indulgent so much as it uses stranger plot devices, like Kaoru buying exercise equipment uncontrollably so she can see an attractive deliveryman every day, to reveal inner truths of its cast. While the series is sometimes unsuccessful when it makes things imbalanced to the point of threatening insincerity (one notably odd episode involves Rilakkuma and co going viral performing a Hawaiian dance while atrophying development on Kaoru's part), there's always a positive light reminding you that bad times are just times that are bad, and the world moves on.

SEASON GRADE: A-.
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I wish I had more to say, but unfortunately, I haven't seen this show nor do I have any previous experience with the Rilakkuma brand, so I don't have much to say other than it looks good and alongside Atlanta and My Hero Academia, it's another show that is going on the list of "I'll watch it...eventually...hopefully...okay I'm trying...oh for goodness sake..."
ReplyDeleteI will say from a visual standpoint at least, the show looks stunning with its use of stop-motion. With the advancement of 3D CGI, stop-motion animation seems to be losing its presence in the modern landscape (and such a style of animation was already niche beforehand). To see a show committed to such an art style and to create such an inviting world and intricate in the teaser trailer alone already leaves me wanting more.
This isn't the first time you've mentioned Joe Pera in passing. It looks good; I'll add it to the list.
I definitely think that Rilakkuma and Kaoru is worth checking out; it's a very short show (and I'm somewhat doubtful it'll get a second season anytime soon considering the amount of labor that goes into stop-motion) and it's super quaint. I watched all of the first season on a lonely night and it was very restorative on the soul, as is Joe Pera, which I'll continue to hawk with my dying breath. It's a very rare quality to find in television, I feel like, which makes me feel all the more obligated to call it out when I see it; R+K is the best version of it I've been able to find in an animated medium, my general inexperience with cartoons aside.
DeleteVery nice and on-point commentary. Restorative on the soul - I couldn’t have put it better myself.
ReplyDeleteA fresh face around these parts—thank you!
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